Roland Rauschmeier’s "baumaxx inspired by bauhaus" (2011) transfers Oskar Schlemmer’s “Triadisches Ballett” from the year 1922 into the present day, into a store belonging to a large do-it-yourself chain. Taking up the rudiments of ballet—the backdrop, the music, and Schlemmer’s costumes—along with an exploration of the relations between people, production, and tools, the piece "baumaxx inspired by bauhaus" presents keyed up, expressive dance interludes playing out in the DIY store, with the dancers wearing readymade costumes from the store’s stocked shelves. The issue of the artwork in the age of technological reproducibility, which is essential in the eyes of the German avant-gardist, experiences colourful scrutinisation through the prevalent creative imperatives of a leisure and surplus society of wild bearing.