“What the word expresses is also the invisible, that sees seeing only as visionary, and what seeing sees, is the unutterable, that the word epresses.” Gilles Deleuze

Beside an introductory text by exhibition curator Christian Egger, this publication contains two comprehensive essays by Rainer Bellenbaum and Olaf Möller.

The authors examine the accelerated, inflationary conditions in the current dissemination, production, and consumption of films today, thereby demonstrating the diversity and differences in attempts of approximation to the spaces of art and film by reflecting on the exhibited positions in the show Words as Doors – in Language, Art, Film.

The publication is available at Künstlerhaus and can be ordered also via the online bookstore.